RUSSIAN Vanguard. MAIN DIRECTIONS (part 1)
The concept of avant-garde. And its differences from modernism. What is the difference between avant-garde and modernism? This issue is still controversial; There are several enduring traditions of understanding the…

Continue reading →

ART UNIONS AND CREATIVE UNIONS OF RUSSIA ON THE TURN OF THE XIX-XX CENTURIES (part 3)
"Bauhaus" (German: Bauhaus - building house) - art educational institution and creative association in Germany. It was founded in 1919 by the architect V. Groppius in Weimar, in 1925 it…

Continue reading →

LENINGRAD SCHOOL OF PAINTING (part 3)
And how to explain such a change of state to "left" art, whose representatives continued to occupy key posts in all the organs of this state, which were in charge…

Continue reading →

Not Found

Apologies, but the page you requested could not be found. Perhaps searching will help.

Tag Cloud

absolutely again left antagonisms apotheosis appointed arrogance artists associations available background bamboo battle black boiler bone bourgeois brightness burnt butterflies cadmium calcination canvas career catchiness centuries century changed characteristic chiaroscuro chromium civilizational clarity cloisonne cobalts coincidence color combination communal community composition concrete contact content continue contours contradictions contradictory created creation cultural customary debates decisive decorative demagogues density designation development different direction director distinguished diverse documentary dozens education educational Egyptian emergence enthusiasm environment equated eruption established exhibitions exhibitors existence export fabulously famous festivals finally flapping foundation fresco functions generalized genre graduates grape group harmony historical history houses ideological illumination important incorporation individual initiative institution intrigue jewelry landscape landscapes layers majolica manifestation is one manufacture manufacturing masters mastery meadows meaningless meantime members method Metropolitan milestone minerals mismanagement modest moments motherland movements Museum musician nature number observations occupation otherwise paintings peach peasant performance performer performing period phenomenon photography picturesque pigment pigments plans portrait practice primordial professional province Raphael realizing recreated relationship reproduction resistant returned revolution Rubens school secrets selection sepia seventeenth simultaneously sixties sketch smalt snowflakes soldiers standards steel materials student subframe subsequent technique techniques technological technologies tempera textiles thickness time traces of strokes traditions transmitted trends troubles trunks turquoise unshakable unthinkable until various watercolors white whitewash windows workshop
HISTORY OF ORIGIN AND DEVELOPMENT OF ART OF ENAMEL (part 1)
The history of enamel art, as well as jewelry, has more than three thousand years of history. When and where was the first enameling, i.e. colored glass in the molten…

...

HISTORY OF ORIGIN AND DEVELOPMENT OF ART OF ENAMEL (part 1)
The history of enamel art, as well as jewelry, has more than three thousand years of history. When and where was the first enameling, i.e. colored glass in the molten…

...

VITEBSK ART SCHOOL (part 3)
The circle of sources covering this time in the biography of the master is mainly identified and studied, therefore all sorts of new information and facts are so rare and…

...